#ABSYNTH 3 MANUAL HOW TO#
#ABSYNTH 3 MANUAL MANUAL#
#ABSYNTH 3 MANUAL PRO#
#ABSYNTH 3 MANUAL SOFTWARE#

4.1Surround(LCRS): This configuration adds the center channel to the 3.1 Surround configuration and is often called Dolby Surround Pro Logic. 3.1Front(LCR): This configuration adds one center front channel to left and right in order to allow a better front-separation. It has one surround center channel and left and right front channels. 3.1Surround(LRS): This configuration refers to analog matrix surround, often called Dolby Surround (home) or Dolby Stereo (cinema), but without a center channel. It places the two front loudspeakers at 90 and -90 and therefore makes a wider stereo image. 2.1StereoWide: This configuration is slightly different from 2.1 Stereo. In this configuration the speakers are placed at 45 and -45. List of available configurations: 2.1Stereo: The default configuration is standard, two-channel stereo sound. Of this channel can be adjusted to conform with the loudspeaker setup used. It can be turned on and off for each configuration and the frequency and volume 1 stands for the LFE (Low Frequency Effects) or Subwoofer channel. The configuration options are Stereo, Stereo Wide, Surround 4.1 and 5.1, Front, Quad, Music, Pentaphonic, Hexaphonic, Cinema, Heptaphonic and Octophonic. Setup (popup)Output Setup Opens a dialog in which you can configure ABSYNTH 3s output mode. In addition to providing buttons for switching between the different windows (MAIN, PATCH, WAVE, EFFECT, ENV, LFO and MIDI), the Navigation Bar also features three popup menus (File, Edit and Setup), and the selected preset name field.įile (popup)The File popup duplicates many of the functions found on the manin application File menu.Įdit (popup)As above, but for the Edit menu. Navigation BarThe Navigation Bar runs along the top of the main ABSYNTH 3 window, and all other ABSYNTH 3 windows. 56 Envelope and Waveform Window Library Functions.

5631 A Hollywood Boulevard Los Angeles, CA 90028 USA ABSYNTH 3Main window. 29/30 D-10997 Berlin Germany USA NATIVE INSTRUMENTS USA, Inc. Germany NATIVE INSTRUMENTS GmbH Schlesische Str.

#ABSYNTH 3 MANUAL SOFTWARE#

ABSYNTH 3 is a trademark of NATIVE INSTRUMENTS Software Synthesis GmbH. Users Guide written by: Paul Sellars 2004-2005 NATIVE INSTRUMENTS Software Synthesis GmbH. All product and company names are or trademarks of their respective owners. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by NATIVE INSTRUMENTS Software Synthesis GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media.

#ABSYNTH 3 MANUAL MANUAL#

PS: the manual and online literature is utterly worthless because huge chunks of this synth's feature set are indescribable via technical jargon and have to be experienced to be properly learned.The information in this document is subject to change without notice and does not represent a commitment on the part of NATIVE INSTRUMENTS Software Synthesis GmbH.

Even if you managed to learn it passably well you will not like it. If you can't program an FM synth, adjust an EMT plate (delay and gate that plate in time with your groove too), route surround through an SSLG or a million other tasks that require knowledge and attention to detail? DON'T WASTE YOUR TIME. Look, this synth is basically a ROMpler for people who don't have a professional studio recording background and thoroughly understand synthesis, general audio electronics and acoustics.

#ABSYNTH 3 MANUAL HOW TO#

You can wrap your head around this monster if you really understand how to program patches from scratch on a dx7 or an esq1. It took me a sleepless week to be able to start with a blank canvas and create cool sounds and another month to imagine a sound and figure out how to make it happen in Absynth, but hell if it wasn't worth overcoming the learning curve. The filters are otherworldly, the wavetable abilities are beyond imagining (or they were in the 90s) and she, well, umm, just WOW man. Oh the amazing sounds I've learned to dial up with this monster. This is the only software synth I truly love because its not emulating ANYTHING.

Absynth 3 manual